Synopsis: In a Tyrolean fiefdom, a baron anxiously awaits the birth of an heir. But he is greatly distressed to learn that his wife has given birth to twins. An old family prophecy holds that one day twins will be born to the family, and that the younger twin will murder the older in the onyx-lined “black room” of the castle. Fearful of the prophecy, the baron orders that the entrance to the room be bricked up.
Some forty years later, we find the older twin Gregor ruling as baron. He is a cruel and dissolute tyrant, hated by his subjects, and he is suspected in the disappearances of several young women. But the local authorities turn a blind eye to his activities.
The younger twin Anton (Boris Karloff) is a nice but somewhat ineffectual fellow, and has been away since his brother’s rule began. At Gregor’s invitation, Anton returns home.
At first Anton refuses to believe the rumors about Gregor, but it soon becomes clear to him that his older brother is every bit as cruel and despotic as the locals allege.
When Gregor is implicated in the disappearance of Mashka, a gypsy serving girl, the townspeople rise up. They storm the castle and demand Gregor be handed over to them.
To everyone’s surprise, Gregor tells the townspeople that he will relinquish his authority immediately and turn it over to his younger brother Anton. This mollifies the crowd and Anton becomes the new baron.
While acquainting Anton with his new duties, Gregor shows him an interesting trick: inside the huge fireplace in the main hall there is a secret passage that leads into the Black Room. Gregor reveals that he has been there many times, and that there is a pit beneath the room. When Anton looks down into the pit, he sees a number of bodies that have been thrown down there — including the body of the missing girl Mashka. Gregor strikes Anton and tosses him down into the pit as well.
As Anton dies, Gregor taunts him. He reminds him that, according to the prophecy, Anton was supposed to kill Gregor in that room. “The prophesy will be fulfilled!” Anton insists. “From the grave?” Gregor asks sarcastically. “Yes,” Anton says as he dies. “From the grave!”
Emerging from the Black Room, Gregor now assumes the identity of Anton, able to rule again while being absolved of all his past crimes. Yet Anton’s dying words keep coming back to him…
Comments: Whenever you are introduced to a pair of twins in the movies, you can be sure that one twin will turn out to be good and the other evil. This is such a persistent cinematic trope that if I didn’t know better, I’d assume that this was simply an accepted fact of real life.
Well, what do I know? Maybe it is; my experience with twins is quite limited. I seem to remember a pair of twins in my kindergarten class; neither seemed noticeably good or evil, but perhaps their true natures hadn’t yet emerged.
Many years later I spent a summer working in a factory with a pair of stunningly beautiful twin gymnasts. For most of the summer I simply assumed I was dreaming and that they weren’t really there. I remember being rather sweet on one of them (probably because she laughed at my jokes), but neither seemed the least bit evil. Of course, the evil twin might have been pretending to be good, for her own nefarious purposes. That is exactly the sort of thing I would expect.
Passing yourself off as your good twin is a deliciously evil thing to do, and it’s an absolute requirement in your standard good twin / evil twin movie.
And of course it happens in tonight’s feature, The Black Room. The insidious Gregor kills brother Anton and takes his place. This is bad luck for for Anton but a good thing for us, because good twins are always boring and we’re much better with him out of the way.
Prophesies, of course, always come true in the movies as well. That’s just a fact. So we know going in that even in death, Anton will somehow manage to kill Gregor in the Black Room. And we’re not disappointed.
This is the second Columbia feature to be broadcast on Horror Incorporated, and already we’re seeing a pattern: Columbia horror films are a bit stingy on the horror. Not a great concern — this movie is pretty lively — but Universal would have at least thrown in a torture chamber or a vampire or something to keep it interesting.
Another difference is that angry villagers in a Universal film always carry torches and pitchforks. They get liquored up and act crazy. But disappointingly, the villagers aren’t really angry here; they are stone cold sober and they arrive at the castle empty-handed. And when Gregor renounces his title, they all melt away.
The citizens of Vasaria would never have stood for it. They’d have burned down the castle just for the trouble Gregor had put them all to.
Karloff does a good job playing the dandified Anton, but the real fun is clearly playing Gregor, and later, playing Gregor playing Anton. Unlike some actors who have done double duty on-screen, Karloff is perfectly capable of playing two entirely different characters. As always Karloff is wonderful to watch and I’m happy that the fame he found in Frankenstein made it possible for him to break into more lead roles. He’s really marvelous here.
THE BLACK ROOM is available on the 2-DVD set Icons of Horror Collection: Boris Karloff
It’s widely available, and if your local video store doesn’t have it, Amazon.com will.